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Lonley are the Brave (9/11) and A Midsummer Night's Dream (11/13)

Sunday Cinematheque at the Chazen Fall 2016: Douglas and de Havilland at 100!

For our Fall 2016 Sunday afternoon series at the Chazen Museum of Art, we will salute two legendary actors who will both turn 100 in the latter half of 2016. A force in Hollywood for over four decades, Olivia de Havilland distinguished herself as a contract player at Warner Bros. during the late 1930s and early 1940s, appearing as leading lady to Errol Flynn in several action spectaculars like Captain Blood. Later on at Paramount Studios, she won two Oscars for The Heiress and To Each His Own. A supporting player in a handful of late 40s features, Kirk Douglas quickly rose to the ranks of leading man and practically invented the notion of the anti-hero in such Hollywood features as Champion and Ace in the Hole. Later, Douglas formed his own powerful production company, Bryna, and appeared in some of the best-remembered films of the 50s and 60s, like Stanley Kubrick’s Paths of Glory, The Vikings, and Lonely are the Brave.

Sunday Cinematheque at the Chazen, a collaboration between Cinematheque and the Chazen Museum of Art, presents archival and feature films curated by Cinematheque director Jim Healy. Screenings are free and begin at 2 p.m.

Hamlet (11/10)

Also at the Chazen: Hamlet x2

In conjunction with First Folio! The Book that Gave Us Shakespeare from November 3 to December 11, the Cinematheque will co-present two decidedly different adaptations of the Bard’s Hamlet in the Chazen’s auditorium. Laurence Olivier won two Oscars for his largely faithful 1948 version of the tragedy, screening in a 35mm print on November 10. 35 years later, Canadian comics Dave Thomas and Rick Moranis brought their SCTV alter-egos Bob and Doug Mackenzie to the big screen for a “take off” on Hamlet entitled Strange Brew, screening on November 17.

 

September 4 - THE HEIRESS
de Havilland

USA | 1949 | 35mm | 115 min.
Director: William Wyler, cast: Olivia de Havilland, Montgomery Clift, Ralph Richardson.
In her second Oscar-winning performance, de Havilland is Catherine Sloper, the clumsy spinster heroine of Henry James’ Washington Square. Attempting to escape her domineering father (Richardson), Catherine begins a romance with the shady social climber Morris Townsend (Clift). Wyler’s visually precise storytelling is perfectly matched by de Havilland’s spot-on turn as a woman who is much under-estimated by the two men who try to manipulate her.

September 11 - LONELY ARE THE BRAVE
Douglas

USA | 1962 | 35mm | 107 min.
Director: David Miller, cast: Kirk Douglas, Gena Rowlands, Walter Matthau.
Douglas plays Jack Burns, a hard-living, old-fashioned cowboy in a very modern world. When Burns is busted and escapes from jail, he and his magnificent horse Whiskey attempt to elude a posse (who use helicopters) through rugged Southwestern territory. Like Spartacus, Lonely Are the Brave features a screenplay by the formerly blacklisted Dalton Trumbo. “This is my favorite movie” (Kirk Douglas).

September 18 - HOLD BACK THE DAWN
de Havilland
USA | 1941 | 35mm | 115 min.
Director: Mitchell Leisen, cast: Olivia de Havilland, Charles Boyer, Paulette Goddard.
In one of the wittiest and most underrated romances of the 1940s, de Havilland is an American school teacher visiting Mexico who is seduced by gigolo Boyer, a European émigré desperate to cross the border into the U.S. Aided in his schemes by his lover (Goddard), Boyer’s plans are thwarted when he actually falls for de Havilland. The superb script is by the legendary writing team of Billy Wilder and Charles Brackett. Director Leisen appears as himself in a very clever framing device.

September 25 - THE BAD AND THE BEAUTIFUL
Douglas
USA | 1952 | 35mm | 118 min.
Director: Vincente Minnelli, cast: Kirk Douglas, Lana Turner, Gloria Grahame.
This fascinating expose of Hollywood puts, at its center, Jonathan Shields (Kirk Douglas), a producer modeled on Val Lewton and David O. Selznick. “Under Minnelli's direction it becomes a fascinating study of a man destroyed by the 50s success ethic, left broke, alone, and slightly insane in the end” (Dave Kehr, Chicago Reader). Douglas is superb and he’s given great support by Turner, Dick Powell, Barry Sullivan, and Grahame, who won an Oscar for her performance.
[remaining films and pics TK from Jim Healy in late summer 2016]

October 2 - TO EACH HIS OWN
de Havilland
USA | 1946 | 35mm | 122 min.
Director: Mitchell Leisen
Cast: Olivia de Havilland, John Lund, Mary Anderson
Olivia de Havilland won the first of her two Best Actress Oscars playing Jody Norris, whose affair with a WWI pilot leads to her becoming an unwed mother. When circumstances prevent her from raising the boy on her own, Jody tries everything, including blackmail, in order to keep the child in her life. Lund, a discovery of director Leisen, makes his debut her in a dual role as both Jody’s lover and grown son!

October 9 - ACE IN THE HOLE
Douglas
USA | 1951 | 35mm | 111 min.
Director: Billy Wilder
Cast: Kirk Douglas, Jan Sterling, Porter Hall
“I don't pray. Kneeling bags my nylons.” Wilder’s dialogue and direction were never more cynical, and rarely more powerful, than in this bitter and thoroughly compelling expose on newspaper journalism. When an amateur spelunker is trapped in an old Indian mine, an opportunistic and ambitious journalist  (Douglas as Chuck Tatum) finds a way to exploit the story for his own career advancement.

October 16 - MY COUSIN RACHEL
de Havilland
USA | 1952 | 35mm | 98 min.
Director: Henry Koster
Cast: Olivia de Havilland, Richard Burton, Audrey Dalton
When Ambrose, the cousin of Philip Ashley (Burton, in his film debut), dies under mysterious circumstances, Ashley ventures to Italy to investigate.  He suspects that Rachel (de Havilland), the deceased’s recent bride, murdered Ambrose for his fortune.  Ashley’s investigation becomes complicated when he falls in love with Rachel and soon agrees to turn his inherited fortune over to her. My Cousin Rachel belongs in a class with Hitchcock’s Rebecca, which, like this film, was also adapted from a novel by Daphne du Maurier.

October 23 - THE LAST SUNSET
Douglas
USA | 1961 | 35mm | 112 min.
Director: Robert Aldrich
Cast: Kirk Douglas, Rock Hudson, Dorothy Malone
A lawman (Hudson) searches in Mexico for the outlaw (Douglas) responsible for the death of his brother-in-law. The two men begin to form a bond, however, when they agree to help a cattleman on a drive to Texas. Douglas offers one of his edgiest portrayals in this unusual and effective Western. “Strange on the range...throws in everything from incest to Indians” (Leonard Maltin).

October 30 - HUSH...HUSH, SWEET CHARLOTTE
de Havilland
USA | 1964 | 35mm | 133 min.
Director: Robert Aldrich
Cast: Bette Davis, Olivia de Havilland, Joseph Cotten
Traumatized by dark family secrets, former Southern belle Charlotte (Davis) now spends her days as a recluse in her family’s decaying mansion. When a scheming lost cousin (de Havilland) arrives, Charlotte slips further into madness. Joan Crawford was replaced by de Havilland a few days into production on what was supposed to be a re-teaming of director Aldrich and his two Whatever Happened to Baby Jane? actresses.

November 6 - CHAMPION
Douglas
USA | 1949 | 35mm | 99 min.
Director: Mark Robson
Cast: Kirk Douglas, Arthur Kennedy, Marilyn Maxwell
As a boxer named Midge, Douglas gives the first of one of his many signature anti-heroic leading roles. Hustled into the sport, Midge rises to the top by knocking-out his opponents in the ring and not treating his friends, family and supporters much better. Print courtesy of the UCLA Film & Television Archive.

November 10 - HAMLET
Thursday Night, 6 p.m.
Shakespeare Special

UK | 1948 | 35mm | 153 min.
Director: Laurence Olivier
Cast: Laurence Olivier, Jean Simmons, Peter Cushing
Shakespeare’s masterpiece is given a lush, big-screen treatment by producer, director and star Olivier, who was rewarded with Oscars for Best Picture and Best Actor. As the title character, Olivier is a crafty and quick-witted blonde Prince of Denmark. “This is very likely the most exciting and alive production...you will ever see on the screen” (Pauline Kael).

November 13 - A MIDSUMMER NIGHT’S DREAM
de Havilland
USA | 1935 | 35mm | 117 min.
Director: Max Reinhardt, William Dieterle
Cast: James Cagney, Olivia de Havilland, Mickey Rooney
Shakespeare’s romantic and fantastical comedy is given prestige treatment by Warner Bros. in this star-studded and lavishly designed production. Warners imported the legendary German stage director Reinhardt for a rare excursion into cinema and the cast includes a number of top WB contract players including Cagney (as Bottom), Joe E. Brown, de Havilland, Dick Powell, and Rooney as the impish Puck. Print courtesy of Library of Congress.

November 17 - STRANGE BREW
Thursday Night, 7 p.m.
Shakespeare Special

USA | 1983 | 35mm | 90 min.
Director: Dave Thomas, Rick Moranis
Cast: Dave Thomas, Rick Moranis, Max von Sydow
“Take off, you hoser!” In a spoof Shakespeare’s Hamlet, Bob and Doug Mackenzie (Thomas and Moranis) play key roles in the power struggle over Elsinore Brewery following the mysterious death of its founder. First appearing on SCTV as the ultimate Canadian emblems, the Mackenzie’s make their big screen debuts here as hosehead versions of Rosencrantz and Guildenstern.

November 20 - THE VIKINGS
Douglas
USA | 1959 | 35mm | 114 min.
Director: Richard Fleischer
Cast: Kirk Douglas, Tony Curtis, Ernest Borgnine
Director Fleischer’s classic is still the finest and most rousing Viking adventure movie ever made. The story concerns the rivalry between a Viking leader (Douglas) and a slave (Curtis) when they both lay claim to a captured English princess (Leigh). One of the most beautiful films ever shot by famed cinematographer Jack Cardiff, who used the widescreen Technirama frame and stunning locations in Norway and Brittany to their full advantage.

December 4 - THE SNAKE PIT
de Havilland
USA | 1948 | 35mm | 108 min.
Director: Anatole Litvak
Cast: Olivia de Havilland, Mark Stevens, Celeste Holm
Director Litvak’s still harrowing drama about mental illness features de Havilland as a young woman suffering from delusions and extreme anxiety. Her conditions are exacerbated when she enters a corrupt mental institution. A significant feather in the cap of socially-conscious Fox studio head Darryl F. Zanuck, The Snake Pit was based on a book by Mary Jane Ward. Ward’s own experiences following a nervous breakdown inspired her writing.

December 11 - PATHS OF GLORY
Douglas
USA | 1957 | 35mm | 86 min.
Director: Stanley Kubrick
Cast: Kirk Douglas, Adolphe Menjou, George Macready
In perhaps the greatest of all anti-war films, Douglas plays Col. Dax, the benevolent leader of a platoon of WWI French soldiers who attempts to impede the actions of a maniacal general (Macready), willing to sacrifice the lives of his men for the sake of praise and promotion. Kubrick’s poetic compositions and rich character development add immeasurably to this study of men who maintain true honor and dignity amidst the futility of war. A 35mm restoration from the UCLA Film and Television Archive will be shown.

December 18 - CAPTAIN BLOOD
de Havilland

USA | 1935 | 35mm | 119 min.
Director: Michael Curtiz
Cast: Errol Flynn, Olivia de Havilland, Basil Rathbone
In his first swashbuckling adventure, Flynn is 17th century Irish Doctor Peter Flood, who is sentenced to death by King James II’s court for tending to an injured rebel. He escapes and becomes captain of a pirate ship, only to come to England’s aid against the French navy. The action highlight is the dazzling swordfight between Flynn and Rathbone. This was the first of de Havilland’s many pairings with Flynn and the rousing score is by Erich Wolfgang Korngold.
 

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